Bio (or the “About Me” page)
Brandon Sills is a versatile and highly skilled musician, known for some of his contributions in both the metal and electronic music scenes.
Based in Portland, Oregon, Brandon's musical journey spans a breadth of instruments and roles, showcasing his exceptional skills and creative vision.
Brandon is an enthusiast of the 7-string guitar and 5-string bass, using these instruments with clear intent, proficiency and a distinctive creative flair.
His ability to seamlessly transition between roles as a synth programmer and piano player further enriches his musical repertoire, adeptly navigating many plugins to craft rich, immersive soundscapes.
Brandon's skill in drum programming adds dynamic rhythmical layers, underscoring his comprehensive understanding of music production.
solo performance
rock hard pdx - portland, oregon
NAmm 2020 - anaheim, california
As a relatively seasoned producer and mixing engineer, Brandon has helmed numerous projects,
fine-tuning his technical precision and artistic vision to deliver polished and impactful ideas.
His role as a music consultant underscores his ambition in guiding and shaping musical projects,
ensuring they achieve their full potential.
Serving as bass guitarist in Amerakin Overdose from 2014 to 2016 (excluding the 2nd half of 2015 which he left), he contributed to their second studio album "The Great Amerakin Dream" and acted as assistant engineer. His first contribution to the band was demoing guitar parts and conveying synth ideas that would later transform and be heard as their 2nd single, “Letting Go.”
He also collaborated with notable YouTuber Ola Englund, composing 80s retro synthwave synthesizer parts for Englund’s album "Starzinger," specifically on "Stars & Ponies" and the intro for "Demon(etized)." Using Arturia, Korg, Native Instruments and Roland plugins primarily, Brandon created an atmosphere that helped define “Stars & Ponies” and set up the mood for “Demon(etized).”
performing with amerakin overdose
date: september 30th, 2016
photo credit: tim ward photography
As well, Brandon has worked with various bands and artists to help them write, record, mix and master their music from his home studio, as well as collaborated on other releases.
Credits include:
Covered in Spiders, Dead Nexus, Die Robot, Flesh New Rot, GameMusic4All, Year 200X.
Beyond his instrumental knowledge and production skills, Brandon strives for greater versatility across genres.
In the realm of death metal, his unique guitar playing and guttural vocals echo a statement of raw energy and technical proficiency.
Conversely, his exploration into synthwave reveals a penchant for intricate synth compositions and nostalgic electronic sounds, transporting listeners to retro-futuristic soundscapes.
Outside of music creation, Brandon has previously been involved in helping promote underground music culture. He continues to seek out and collaborate with fellow artists to further create and shape what we hear in the diversity of heavy music and electronic genres.
Brandon continues to work on creating a lasting impact on the modern music landscape through his dynamic performances, innovative productions, and unwavering dedication to musical excellence.
His diverse portfolio reflects a commitment to pushing boundaries and inspiring audiences worldwide.
At least 95% of all text provided courtesy of ChatGPT, with some modifications where necessary or seen fit, as I have a hard time trying to write about myself without going into great lengths.